Film Tank takes a look at the first (and hopefully only) season of HBO’s foray into the Watchmen canon with Damon Lindelof’s bold TV series set in Alan Moore’s universe, first created in 1986 with Dave Gibbons in the seminal 12 issue series.
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The Skywalker saga comes to a close. Listen to Film Tank’s review of how effectively it went about closing off this recent trilogy and the saga as a whole.
Nothing says the holidays like adultery, romantic declarations about 9/11, mental institutions, Mariah Carey, fat-shaming, The Troggs, implied indentured servitude, nativity lobsters, and Wisconsin’s well-known affinity for clandestinely operating brothels in well-lit dive bars for for European tourists.
Film Tank presents Love, Actually. Or rather, Richard Curtis does. We just watched it.
Rian Johnson arrives to a galaxy far closer to you than his previous film inhabited in order to take on class wars in the new murder mystery film Knives Out.
Martin Scorsese writes an elegy for gangster films, and the incredibly flawed men who inhabit them. This week’s film: THE IRISHMAN.
Alex, Nick, and returning guest Dan get together to discuss the latest Bong Joon Ho film PARASITE.
Film Tank sits down to discuss a film where men sit down to discuss. This week’s film: 12 Angry Men.
Alex and Nick sit down to discuss an underseen Australian horror film by Sean Byrne, THE LOVED ONES (2009).
The Clown Prince of Crime is born, and Film Tank will never be the same… Alex doesn’t know what’s real and what’s not, Nick can’t even speak by the end, and Toussaint… who the hell knows what Toussaint was doing during this episode? Special guest Ana joins us to talk: JOKER.
Film Tank covers a hairy tale of full moons, sexy shower scenes, and suicidal thoughts. We discuss John Landis’ AN AMERICAN WEREWOLF IN LONDON and see if it still holds up today. (Spoiler: it does!).
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